Seriously, Let’s Clear This Up

The diverse and intense attention paid to Arturo Di Modica’s Charging Bull and Kristen Visbal’s Fearless Girl is exciting; I’m not used to hearing so many voices, from so many quarters, weighing in on artists’ rights. And, unlike the last controversy of this magnitude (Richard Prince’s New Portraits), opinions are divided. Stories about artists’ rights seem to capture and sustain public attention when the issues at hand are […]